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卧龙战警 Deep.Cover.1992.720p.BluRay.x264-MiMiC 6.57GB

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admin 发表于 2021-7-21 18:22:53 | 只看该作者 |只看大图 回帖奖励 |倒序浏览 |阅读模式
卧龙战警 Deep.Cover.1992.720p.BluRay.x264-MiMiC 6.57GB                                                                                                                                                                              -->
帖子完整标题:卧龙战警 Deep.Cover.1992.720p.BluRay.x264-MiMiC 6.57GB



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◎译  名 卧龙战警
◎片  名 Deep Cover
◎年  代 1992
◎产  地 美国
◎类  别 动作 / 惊悚 / 犯罪
◎语  言 英语
◎上映日期 1992-04-15
◎豆瓣评分 /10 from 0 users
◎ 
◎片  长 107 分钟
◎导  演 比尔·杜克 Bill Duke
◎编  剧 亨利·宾 Henry Bean / 迈克尔·托尔金 Michael Tolkin
◎主  演 劳伦斯·菲什伯恩 Laurence Fishburne
     杰夫·高布伦 Jeff Goldblum
     查尔斯·马丁·史密斯 Charles Martin Smith
     Bruce Paul Barbour Bruce Paul Barbour

◎标  签 警匪 | 美国 | 犯罪 | 动作 | 黑帮 | CC | 毒品 | 黑色幽默

◎简  介

  Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
  
  Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
  
  The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
  
  Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
  
  However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

◎获奖情况

  第5届东京国际电影节 ?(1992)
  主竞赛单元最佳影片(提名) 比尔·杜克
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Format settings, Reference frames  : 8 frames
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Menu
00:00:00.000         : Chapter 01
00:02:47.292         : Chapter 02
00:04:53.251         : Chapter 03
00:07:53.223         : Chapter 04
00:10:34.425         : Chapter 05
00:14:35.792         : Chapter 06
00:19:47.853         : Chapter 07
00:22:23.384         : Chapter 08
00:27:17.094         : Chapter 09
00:32:38.290         : Chapter 10
00:37:33.293         : Chapter 11
00:41:06.964         : Chapter 12
00:46:53.894         : Chapter 13
00:54:57.169         : Chapter 14
01:09:40.885         : Chapter 15
01:22:41.498         : Chapter 16
01:27:24.239         : Chapter 17
01:38:26.400         : Chapter 18
01:42:26.182         : Chapter 19
01:43:48.597         : Chapter 20

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